JAYANTI-
JAYANTI-
JAYANTI-
JAYANTI-
JAYANTI-
The Mother Goddess
Monolith of Dharamshala
The Mother
Goddess Monolith
of Dharamshala
The Mother
Goddess
Monolith of
Dharamshala
The Mother Goddess
Monolith of Dharamshala
The Mother Goddess
Monolith of Dharamshala
Radiant as a pillar in stainless steel, sitting atop on the Himalayas dedicated to Victorious Kali or Jayanti, the consort of Mahakala or time himself, chiming the love poems of Kalidasa emanating energy by capturing her brother Surya's light and shining like a star is 'Jayanti'.
Sculptor Raj Shahani makes a site specific installation that represents 'Shakti' by capturing the rays of the sun in reflective steel. Multi-sided it is inspired by the kundalini and the yoni , primary sources of representation of 'Shakti ' or the primordial cosmic energy of feminine power. Shakti has many forms and avatars from Kali to Usha. Usha is the sister of of Surya and is present in the form of her rays. Shahani makes talismanic use of this light by capturing it in his sculpture.
The snow capped mountains of the Himalayas reflect back the light off the snow creating warmth and magical landscapes that picture divine enlightenment. Abode of the Dalai Lama and not far from Mansarovar , the perrenial abode of Shiva and Shakti , the sculpture comes from a tradition of symbolic aesthetic offerings to the divine , whilst conceptually existing as a form of art in contemporaneity. Shahani gathers the landscape and its culture in a singular monolith , seldom do we see monoliths being constructed in this century, but Shahani uses dexterity in the use of metal to achieve this.
The artist plays with time across different scales like Kalidasa played with time in the Meghdootam where he flew from the plains of India onto the Himalayas carrying the message of love like the cool breeze that saunters from the Himalayas onto the plains soothing us from the scorching sun. Similarly Raj Shahani plays with the mountain light using reflection as a point of convergence and dissemination.
Radiant as a pillar in stainless steel, sitting atop on the Himalayas dedicated to Victorious Kali or Jayanti, the consort of Mahakala or time himself, chiming the love poems of Kalidasa emanating energy by capturing her brother Surya's light and shining like a star is 'Jayanti'.
Sculptor Raj Shahani makes a site specific installation that represents 'Shakti' by capturing the rays of the sun in reflective steel. Multi-sided it is inspired by the kundalini and the yoni , primary sources of representation of 'Shakti ' or the primordial cosmic energy of feminine power. Shakti has many forms and avatars from Kali to Usha. Usha is the sister of of Surya and is present in the form of her rays. Shahani makes talismanic use of this light by capturing it in his sculpture.
The snow capped mountains of the Himalayas reflect back the light off the snow creating warmth and magical landscapes that picture divine enlightenment. Abode of the Dalai Lama and not far from Mansarovar , the perrenial abode of Shiva and Shakti , the sculpture comes from a tradition of symbolic aesthetic offerings to the divine , whilst conceptually existing as a form of art in contemporaneity. Shahani gathers the landscape and its culture in a singular monolith , seldom do we see monoliths being constructed in this century, but Shahani uses dexterity in the use of metal to achieve this.
The artist plays with time across different scales like Kalidasa played with time in the Meghdootam where he flew from the plains of India onto the Himalayas carrying the message of love like the cool breeze that saunters from the Himalayas onto the plains soothing us from the scorching sun. Similarly Raj Shahani plays with the mountain light using reflection as a point of convergence and dissemination.
Radiant as a pillar in stainless steel, sitting atop on the Himalayas dedicated to Victorious Kali or Jayanti, the consort of Mahakala or time himself, chiming the love poems of Kalidasa emanating energy by capturing her brother Surya's light and shining like a star is 'Jayanti'.
Sculptor Raj Shahani makes a site specific installation that represents 'Shakti' by capturing the rays of the sun in reflective steel. Multi-sided it is inspired by the kundalini and the yoni , primary sources of representation of 'Shakti ' or the primordial cosmic energy of feminine power. Shakti has many forms and avatars from Kali to Usha. Usha is the sister of of Surya and is present in the form of her rays. Shahani makes talismanic use of this light by capturing it in his sculpture.
The snow capped mountains of the Himalayas reflect back the light off the snow creating warmth and magical landscapes that picture divine enlightenment. Abode of the Dalai Lama and not far from Mansarovar , the perrenial abode of Shiva and Shakti , the sculpture comes from a tradition of symbolic aesthetic offerings to the divine , whilst conceptually existing as a form of art in contemporaneity. Shahani gathers the landscape and its culture in a singular monolith , seldom do we see monoliths being constructed in this century, but Shahani uses dexterity in the use of metal to achieve this.
The artist plays with time across different scales like Kalidasa played with time in the Meghdootam where he flew from the plains of India onto the Himalayas carrying the message of love like the cool breeze that saunters from the Himalayas onto the plains soothing us from the scorching sun. Similarly Raj Shahani plays with the mountain light using reflection as a point of convergence and dissemination.
Radiant as a pillar in stainless steel, sitting atop on the Himalayas dedicated to Victorious Kali or Jayanti, the consort of Mahakala or time himself, chiming the love poems of Kalidasa emanating energy by capturing her brother Surya's light and shining like a star is 'Jayanti'.
Sculptor Raj Shahani makes a site specific installation that represents 'Shakti' by capturing the rays of the sun in reflective steel. Multi-sided it is inspired by the kundalini and the yoni , primary sources of representation of 'Shakti ' or the primordial cosmic energy of feminine power. Shakti has many forms and avatars from Kali to Usha. Usha is the sister of of Surya and is present in the form of her rays. Shahani makes talismanic use of this light by capturing it in his sculpture.
The snow capped mountains of the Himalayas reflect back the light off the snow creating warmth and magical landscapes that picture divine enlightenment. Abode of the Dalai Lama and not far from Mansarovar , the perrenial abode of Shiva and Shakti , the sculpture comes from a tradition of symbolic aesthetic offerings to the divine , whilst conceptually existing as a form of art in contemporaneity. Shahani gathers the landscape and its culture in a singular monolith , seldom do we see monoliths being constructed in this century, but Shahani uses dexterity in the use of metal to achieve this.
The artist plays with time across different scales like Kalidasa played with time in the Meghdootam where he flew from the plains of India onto the Himalayas carrying the message of love like the cool breeze that saunters from the Himalayas onto the plains soothing us from the scorching sun. Similarly Raj Shahani plays with the mountain light using reflection as a point of convergence and dissemination.
Radiant as a pillar in stainless steel, sitting atop on the Himalayas dedicated to Victorious Kali or Jayanti, the consort of Mahakala or time himself, chiming the love poems of Kalidasa emanating energy by capturing her brother Surya's light and shining like a star is 'Jayanti'.
Sculptor Raj Shahani makes a site specific installation that represents 'Shakti' by capturing the rays of the sun in reflective steel. Multi-sided it is inspired by the kundalini and the yoni , primary sources of representation of 'Shakti ' or the primordial cosmic energy of feminine power. Shakti has many forms and avatars from Kali to Usha. Usha is the sister of of Surya and is present in the form of her rays. Shahani makes talismanic use of this light by capturing it in his sculpture.
The snow capped mountains of the Himalayas reflect back the light off the snow creating warmth and magical landscapes that picture divine enlightenment. Abode of the Dalai Lama and not far from Mansarovar , the perrenial abode of Shiva and Shakti , the sculpture comes from a tradition of symbolic aesthetic offerings to the divine , whilst conceptually existing as a form of art in contemporaneity. Shahani gathers the landscape and its culture in a singular monolith , seldom do we see monoliths being constructed in this century, but Shahani uses dexterity in the use of metal to achieve this.
The artist plays with time across different scales like Kalidasa played with time in the Meghdootam where he flew from the plains of India onto the Himalayas carrying the message of love like the cool breeze that saunters from the Himalayas onto the plains soothing us from the scorching sun. Similarly Raj Shahani plays with the mountain light using reflection as a point of convergence and dissemination.
The inscription on the pillar reads
ओम जयंती मंगला काली भद्रा काली कपालिनी
Bhadrakali Kapalini
Durga Kshama Shiva Dhatri
Swaha Swadha Namastutay
Salutations to Jayanti (Who is Ever-Victorious)
Mangala (Who is the bestower of Auspiciousness)
Kali (Who is beyond Kala or Time)Bhadrakali (Who is the controller of Life and Death, being beyond Kala or Time)
Kapalini (Who wear a Garland of Skulls)Salutations to Durga (Who is Durgati-Nashini)
Shiva (Who is Ever-Auspicious and One with Shiva as His Consort)
Kshama (Who is an embodiment of Forbearance)
Dhatri (Who is the Supporter of all Beings)Swaha (Who is the final receiver of the Sacrificial Oblations to Gods)
Swadha (Who is the final receiver of the Sacrificial Oblations to Ma
शरण्ये त्र्यम्बके गौरि नारायणि नमोऽस्तु ते ॥
Sarva-Manggala-Maanggalye Shive Sarvaartha-Saadhike |
Sharanny
1: (Salutations to You O Narayani) Who is the Auspiciousness in All the Auspicious, Auspiciousness Herself, Complete with All the Auspicious Attributes, and Who fulfills All the Objectives of the Devotees (Purusharthas - Dharma, Artha, Kama and Moksha)
The inscription on the pillar reads
ओम जयंती मंगला काली भद्रा काली कपालिनी
Bhadrakali Kapalini
Durga Kshama Shiva Dhatri
Swaha Swadha Namastutay
Salutations to Jayanti (Who is Ever-Victorious)
Mangala (Who is the bestower of Auspiciousness)
Kali (Who is beyond Kala or Time)Bhadrakali (Who is the controller of Life and Death, being beyond Kala or Time)
Kapalini (Who wear a Garland of Skulls)Salutations to Durga (Who is Durgati-Nashini)
Shiva (Who is Ever-Auspicious and One with Shiva as His Consort)
Kshama (Who is an embodiment of Forbearance)
Dhatri (Who is the Supporter of all Beings)Swaha (Who is the final receiver of the Sacrificial Oblations to Gods)
Swadha (Who is the final receiver of the Sacrificial Oblations to Ma
शरण्ये त्र्यम्बके गौरि नारायणि नमोऽस्तु ते ॥
Sarva-Manggala-Maanggalye Shive Sarvaartha-Saadhike |
Sharanny
1: (Salutations to You O Narayani) Who is the Auspiciousness in All the Auspicious, Auspiciousness Herself, Complete with All the Auspicious Attributes, and Who fulfills All the Objectives of the Devotees (Purusharthas - Dharma, Artha, Kama and Moksha)
The inscription on the pillar reads
ओम जयंती मंगला काली भद्रा काली कपालिनी
Bhadrakali Kapalini
Durga Kshama Shiva Dhatri
Swaha Swadha Namastutay
Salutations to Jayanti (Who is Ever-Victorious)
Mangala (Who is the bestower of Auspiciousness)
Kali (Who is beyond Kala or Time)Bhadrakali (Who is the controller of Life and Death, being beyond Kala or Time)
Kapalini (Who wear a Garland of Skulls)Salutations to Durga (Who is Durgati-Nashini)
Shiva (Who is Ever-Auspicious and One with Shiva as His Consort)
Kshama (Who is an embodiment of Forbearance)
Dhatri (Who is the Supporter of all Beings)Swaha (Who is the final receiver of the Sacrificial Oblations to Gods)
Swadha (Who is the final receiver of the Sacrificial Oblations to Ma
शरण्ये त्र्यम्बके गौरि नारायणि नमोऽस्तु ते ॥
Sarva-Manggala-Maanggalye Shive Sarvaartha-Saadhike |
Sharanny
1: (Salutations to You O Narayani) Who is the Auspiciousness in All the Auspicious, Auspiciousness Herself, Complete with All the Auspicious Attributes, and Who fulfills All the Objectives of the Devotees (Purusharthas - Dharma, Artha, Kama and Moksha)
The inscription on the pillar reads
ओम जयंती मंगला काली भद्रा काली कपालिनी
Bhadrakali Kapalini
Durga Kshama Shiva Dhatri
Swaha Swadha Namastutay
Salutations to Jayanti (Who is Ever-Victorious)
Mangala (Who is the bestower of Auspiciousness)
Kali (Who is beyond Kala or Time)Bhadrakali (Who is the controller of Life and Death, being beyond Kala or Time)
Kapalini (Who wear a Garland of Skulls)Salutations to Durga (Who is Durgati-Nashini)
Shiva (Who is Ever-Auspicious and One with Shiva as His Consort)
Kshama (Who is an embodiment of Forbearance)
Dhatri (Who is the Supporter of all Beings)Swaha (Who is the final receiver of the Sacrificial Oblations to Gods)
Swadha (Who is the final receiver of the Sacrificial Oblations to Ma
शरण्ये त्र्यम्बके गौरि नारायणि नमोऽस्तु ते ॥
Sarva-Manggala-Maanggalye Shive Sarvaartha-Saadhike |
Sharanny
1: (Salutations to You O Narayani) Who is the Auspiciousness in All the Auspicious, Auspiciousness Herself, Complete with All the Auspicious Attributes, and Who fulfills All the Objectives of the Devotees (Purusharthas - Dharma, Artha, Kama and Moksha)